Fuming at having been given his walking papers, Snake Joe harbors dark feelings as he contemplates the deus ex machina that recoups his groove; meanwhile, Creamy Mami finds herself charged adherence to a strict deadline when Toshio exhorts company during the home commute on the train with Midori. Snake Joe's stakeout of Creamy Crepes pays off when Mami arrives at home to reply her parents' call; armed with the data of her response, Snake Joe then tries to capitalize upon this by conducting a »Candid Camera« exposé whose back-end logistics are a bit difficult because of his professional prologue. As the exposé begins, it appears that Snake Joe's subterfuge is right on track when Creamy Mami is shocked to see Tetsuo and Natsume but keeps composed about it until a bandit invades the store. The irony of the whole thing is that Snake Joe ultimately has it demonstrated that the success of his subterfuge can have far worse consequences than failure; while he did actually succeed in illuminating the link Creamy Mami has with Tetsuo and Natsume, Snake Joe finds that the joke is on him when the »bandit« demands his non-existent salary while Yuu learns to exercise greater discretion.

マミの正体を暴こうとするスネークジョー。彼はマミが最初に現れたクレープ屋CREAMYに関係ありとみて、テレビのドッキリカメラを利用する計画を考えた。マミを小さな郵便局の1日局長にし、わずかのスキにCREAMYに仕掛けをして、入ってきたマミが思わずパパ、ママと叫ぶシーンを撮ろうというのだ。計画どおり上手いくが・・・・・・。