At the beginning, an objet trouvé: a video camera bought by the director at an online auction site during an extended visit to the south of France to see his girlfriend at the end of 2019. His voiceover explains that he found some footage still stored on the camera and wants to use it to make something for cinema. To do this, he has to obtain permission from the camera’s previous owner, an older man named Charles, who lives in Arles. As the rhyme already suggests, imagination could be at play here.

툴루즈 출신 프랑스인 샤를은 가지고 있던 캠코더를 판다. 프랑스를 방문한 아르헨티나 영화감독 이그나시오는 그 캠코더를 산다. 이그나시오는 샤를이 지우지 않은 캠코더 속 영상들을 보고 세계적 규모의 어드벤처 영화로서 잠재력을 발견한다.

Un joven cineasta visita a su novia en Francia y compra una cámara usada. En ella hay una sorpresa, una historia imaginada, una película posible. Con un desdén asombroso por las formas narrativas establecidas, delante del espectador se despliega un hilo de ficción imparable.