In a small supermarket in a blue collar town, a black man smiles at a 10 year old white boy across the checkout aisle. This innocuous moment sends two gangs into a ruthless war that ends with a shocking backlash.
An African-American prison psychiatrist finds the boundaries of his professionalism sorely tested when he must counsel a disturbed inmate with bigoted Nazi tendencies.
Across Europe, the far right is embedding itself into the political landscape and daily life. But behind an increasingly smooth and respectable façade lies an ideology that remains fundamentally racist and violent. An in-depth focus into an ecosystem of extreme ideology in France, Germany, and Belgium.
A Mexican boy accused of rape and murder becomes a pawn for Communists and red-baiters. A courtroom drama set in 1947 and underlying post-WW2 acute problems facing the USA such as stormy race relations and the growing threat of local communism.
Julian Berniers returns from Illinois with his young bride Lily Prine to the family in New Orleans. His spinster sisters Carrie and Anna welcome the couple, who arrive with expensive gifts. The sisters hope Julian will help with their expenses, and he tells them that while his profitable factory went out of business, he did manage to save money.
It turns out that Julian pulled off a real estate scam and took off with the money. Carrie is obsessed with her brother. Her jealousy of Lily pushes her to discover the shady land deal for herself and she does everything she can to wreck their marriage.
A racist woman makes it her personal mission to displace the new black family that has just moved in next door to her, but they won't back down without a fight.
Hell Train is a French film based on a true story. One evening at a ball in a small town, a fight breaks out in an atmosphere tinged with racism. Three of the ringleaders end up at the police station. The next day, November 14, 1983, on the Bordeaux-Ventimiglia train, the three men who were candidates for enlistment in the Foreign Legion beat Habib Grimzi, a 26-year-old Algerian, before throwing him out of a window. A young woman, who witnessed the murder, alerted the police. The investigation begins in a climate of extreme tension. In the city, provocations and attacks are increasing...
Emmett Till was brutally killed in the summer of 1955. At his funeral, his mother forced the world to reckon with the brutality of American racism. This short documentary was commissioned by "Time" magazine for their series "100 Photos" about the most influential photographs of all time.
As a Chinese boy transitions from childhood to adolescence, he finds himself lost in a world that tells him he should hate where he comes from with being confronted by racial hatred. He stumbles across some strange footage on TV. SUNNY digs into the the importance of Chinese history, the need for young people to see themselves, and the anger that comes when loneliness engulfs you.
Experimental documentary examining the interaction of hate, religion, and the apocalypse in the United States.
Grand Saline, Texas, was a sleepy, unremarkable town--until a white preacher lit himself on fire to protest the town's racism in 2014. The subject of this film is deceptively straightforward: A minister commits suicide by setting himself on fire. He leaves behind a letter that frames his decision as a religious response to the intolerable racism of America's past and present, particularly in his Texas hometown. The aftermath is befuddling: There are townspeople who can recall incidents of racial violence and hate speech, and those who have never seen anything of the kind. Black folk in surrounding towns who share rumors and fears about acts of violence, and white folk who say you can't believe everything you hear. Fellow ministers who share the desire to be liberated from a racist past, and churchgoers who believe only mental illness could explain such a suicide.
Loosely based on the filmmaker's personal experience, "Terra Nullius" is an impressionistic account of an eight year old Koori girl, Alice, growing up in a white adoptive family which denies her Aboriginality. The film examines how unacknowledged shame and fear passes from one generation to the next, from one culture to another. The last scene depicts a silent meeting between the young Alice and the adult Alice. In order to reclaim her life, Alice decides she must confront the pain and confusion of her childhood.