After Shideh's building is hit by a missile during the Iran-Iraq War, a superstitious neighbor suggests that the missile was cursed and might be carrying malevolent Middle-Eastern spirits. She becomes convinced a supernatural force within the building is attempting to possess her daughter Dorsa, and she has no choice but to confront these forces if she is to save her daughter and herself.
Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?
Qader, a bricklayer from Sardasht in Kurdistan Iran whose wife is pregnant with her 4th child, suddenly found himself amid a war crime perpetrated by the Saddam regime. On June 28th, 1987 Iraqi air fighters dropped mustard gas bombs on the city...
It’s 1988 and, at the height of the Iran-Iraq War, Tehran is bombed relentlessly. The days that pass are full of foreboding, and yet, love, affection, hope and life itself manage to sweep away the fear of death from those surrounded by it. Love may often be difficult to comprehend, but death is a horrible certitude. ‘Bomb, A Love Story’ shows how, even when faced with the darkness of death, love and hope will find a way.
Iran, January 16th, 1979. Shah Mohammad Reza Pahlavi flees after being overthrown. Ayatollah Khomeini returns to Tehran and proclaims the Islamic Republic on April 1st, 1979. In the same year, Saddam Hussein seizes power in Iraq and, after several border skirmishes, attacks Iran on September 22nd, 1980, initiating a cruel war that will last eight years. Since its outbreak, correspondent Saeid Sadeghi documented it from its beginning to its bitter end.
The Last Days of Winter is an Iranian television documentary series directed and written by Mohammad Hossein Mahdavian, which aired on IRIB TV1 from 28 September to 6 December 2012 for 10 episodes.
Dr. Parsa and his daughter, Bahar, are on the way to Khoramshahr to set up a specialized hospital there. It seems their cold relationship is related to this journey. Reaching there, Bahar finds a diary of a girl at her age called Maryam which was written in the same day, 30 years ago; 2 days before the first day of schools, and also the start of Iran-Iraq war! The girlish joy that Maryam describes in the first pages of the diary, the sudden invasion of enemies to their town, and finally her love story which is mentioned in the diary, motivates Bahar to continue reading it. Maryam was in love with a young intern who was working in the town's only clinic. Now Bahar thinks that the intern could be his father.
Excited to attend Fareed's birthday party, Danny finds out why his mom is concerned about this friendship. Danny has to decide between satisfying his mom or keeping the friendship.
All the neighbours rush dawn the basement/Shelter. So what is going to happen at this shelter? would every woman cry and scream whilst every man shivers and chews his moustache with rage and fear?.....You will be surprised!
A political and social play in which the old narrator preaches and guides during the Iran-Iraq war, the bombings that occurred in Kuwait and the attempted assassination of the Emir of the State of Kuwait during that period, and the clear difference in opinions between support for stopping the war on Iran and the positions of the President of Iraq.
Ravayat-e Fath, variously translated as The Chronicles of Victory, The Tales of Victory, The Narrative of Victory, The Narration of Victory, The Story of Victory, and Witness to Glory, was a war documentary television series directed by Morteza Avini and filmed on the front lines of the Iran–Iraq War of the 1980s.