A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.
Carlo Antonelli, an engineer from Genoa, gets mugged and decides to take justice into his own hands. At first the muggers seem to get the upper hand, but then he's helped by Tommy, a young robber who takes his side.
An Ottawa police captain searches for the person who poisoned his sister, who was attending the university in Montreal. So desperate is he for revenge that he begin to use his own brutal methods to find the killer. Soon he discovers that not everything is what he thought it was.
Carlo, a young photographer, is making love with his girlfriend at the beach when he witnesses a murder being feebly staged to look like a car accident. Carlo takes incriminating shots of the murderers (the victim turns out to be the local public prosecutor) and attempts to sell them to various interested parties, including a gangster and a newspaper owner. One of the murderers' accomplices, a lowlife criminal, is gunned down by a black-gloved assassin, while another is stabbed to death...
When a crime boss sends out his thugs to terrorize an entire city, they do whatever they want, which includes anything from petty theft to robbing the police station in broad daylight. Napoli spara! (internationally released as Weapons of Death and Naples shoots) is a "poliziottesco" film directed by Mario Caiano in 1977. It is an unofficial sequel of Napoli violenta, of which reprises the character of Gennarino (still played by Massimo Deda).
A tough, violent cop who doesn't mind bending the law goes after a machine-gun-carrying, hunchbacked psychotic killer.
A police captain arranges the release of a criminally insane prisoner, who soon winds up dead. When the District Attorney takes on the case, he uncovers corruption in the department and vows to take down the man who's responsible.
Inspector Betti (Maurizio Merli) is transferred to Naples and immediately after his arrival receives a warm welcome from The Commandante (Barry Sullivan), the city's crime lord. Betti then goes on a personal mission against corruption and organized crime, and tries to force the syndicate out of town with any means necessary.
When mobsters try to put an honest policeman on the payroll, he seeks revenge on the mob. But, he soon learns that his actions, however honest, have dire consequences.
A Milan pimp faces off against a ruthless and greedy French gangster whom wants to unite organized crime in Italy.
Detective Baldassarre spends his forced exile sorting criminal records. He gets a chance to return to the line of fire when two people, an aristocrat and a worker are struck by lightning inside a fancy mansion. The incident would be relegated to freak accidents, but Baldassare's attention is drawn to the strangeness of the events and he begins to investigate.
A detective sick and tired of the rampant crime and violence in his city, and constantly at odds with his superiors, is finally kicked out of the department for a "questionable" shooting of a vicious criminal. However, he is soon approached by a representative for a group of citizens who themselves are fed up with what they see as criminals going unpunished, and they make him an offer he may very well not refuse.
When a journalist is murdered Inspector Micheli begins to investigate. Although someone comes forward to confess to the crime, Micheli doesn't believe he acted alone and keeps investigating despite coming under pressure to close the case.
By day, Ovidio (Joe Dallesandro) and his two friends work at a data center. After work, they blow off steam by committing random acts of savage violence, swiftly graduating from sparking a riot at a football game to vehicle theft, rape, and murder. The police are convinced this recent spate of crimes is politically motivated, but world-weary veteran Commissario Santaga (Enrico Maria Salerno) suspects a far more terrifying explanation: that these young men are motivated by nothing more than boredom and disaffection at civilized society. As Ovidio's behavior escalates, a psychological game of cat-and-mouse ensues between the two adversaries, building towards a shocking final confrontation.
The city of Turin is in the grip of a brutal crime boss known as "Il Marsigliese" and plenty of cops have good cause to want him dead — none more than Inspector Vanni, whose wife was murdered by the ruthless gangster. Having exhausted every other avenue, Vanni forms a crack squad of motorcycle-riding, Colt .38-toting elite officers, tasked with meting out justice on the margins of the law. But when "Il Marsigliese" launches a bombing campaign designed to extort a vast ransom from the city's authorities, Vanni finds himself in a race against time to exact his revenge and avert disaster.
An office employee, pretending to be weak and crippled, reveals himself as a ruthless criminal.
Sandro, a detective, finds his wife strangled. His girl-friend Tiffany, who works as photographer, makes a "Blow up" from a photo, what Sandro finds beside the victim. Sandro and Tiffany are looking for the woman on the photo, Laura. They finds her in a Night Club in Rome...
An ex-Vietnam vet is forced to become a hit-man and gets caught in the middle of a conspiracy.
Franco Nero and Telly Savalas star in the story of a trio of jewel thieves on the lam after a heist goes very wrong. Wrecking their car they take another unaware that there is a teenager hiding in the back. As the flight becomes more frantic, the young man is discovered, upsetting the balance of the thieves.
An ill-assorted group of international criminals executes a tightly-planned ransom sting in Spain. Things go along swimmingly until various tensions within the group come to the fore.