In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew." As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.

After semi-truck driver Teri Horton bought a large splatter painting for her friend for $5, she was forced to sell it in her own garage sale when her friend said she had no place for it. Eventually someone commented on the painting stating it might be an original Jackson Pollock. This documentary follows Teri, her son, and a forensics specialist as they attempt to prove to the world, or more specifically the art community, her painting is a true Jackson Pollock

The liberation of objects within objects. A tree is a Pollock.

The band of American artists known as the New York School toyed with tradition and rebelled against the Renaissance.Feeling as though free association yielded their best results, the painters, poets and performers of the New York School took a surrealist approach that was concerned less with aesthetic and more with expression. Those associated with the School were unified by their desire to create from within. They created a monumental, dramatic art that remains a singular expression of the crucial modern quest for individuality and personal freedom." Never knowing exactly how their pieces would turn out, the artists of the New York School embraced their own complex humanity and worked from a place of bold, sporadic realness.

Ken Jacobs applies his patented Eternalism process to 3D images he took of Jackson Pollock's 1954 splatter painting.